They interrogate the abductive, or speculative, thought of painting… from slick precision to excessive gesturality… fetishising digitally enhanced color. They acknowledge the coexistence of rational and irrational truths (concrete and metaphysical) present in the imagery and enacted in the making process - ‘intuitively’ (cognitively) or ‘instinctually’ (through the body): “the thought of that which does not think” - both phenomenologically and pictorially contained in the finished work...